Sunday, July 29, 2012

on the whole, this is, at it's most skeletal, compelling opinion, setting aside for the moment how important it is to hear someone speak at last and so clearly about this very particular forged manacle between alcohol and the muse...

(Katha Pollit) So many people have praised Christopher so effusively, I want to complicate the picture even at the risk of seeming churlish. His drinking was not something to admire, and it was not a charming foible. Maybe sometimes it made him warm and expansive, but I never saw that side of it. What I saw was that drinking made him angry and combative and bullying, often toward people who were way out of his league—elderly guests on the Nation cruise, interns (especially female interns). Drinking didn’t make him a better writer either—that’s another myth. Christopher was such a practiced hand, with a style that was so patented, so integrally an expression of his personality, he was so sure he was right about whatever the subject, he could meet his deadlines even when he was totally sozzled. But those passages of pointless linguistic pirouetting? The arguments that don’t track if you look beneath the bravura phrasing? Forgive the cliché: that was the booze talking. And so, I’m betting, were the cruder manifestations of his famously pugilistic nature: as F Scott Fitzgerald said of his own alcoholism: “When drunk I make them all pay and pay and pay.” It makes me sad to see young writers cherishing their drinking bouts with him, and even his alcohol-fuelled displays of contempt for them (see Dave Zirin’s fond reminiscence of having Christopher spit at him) as if drink is what makes a great writer, and what makes a great writer a real man.

So far, most of the eulogies of Christopher have come from men, and there’s a reason for that. He moved in a masculine world, and for someone who prided himself on his wide-ranging interests, he had virtually no interest in women’s writing or women’s lives or perspectives. I never got the impression from anything he wrote about women that he had bothered to do the most basic kinds of reading and thinking, let alone interviewing or reporting—the sort of workup he would do before writing about, say, G.K. Chesterton, or Scientology or Kurdistan. It all came off the top of his head, or the depths of his id. Women aren’t funny. Women shouldn’t need to/want to/get to have a job. The Dixie Chicks were “fucking fat slags” (not “sluts,” as he misremembered later). And then of course there was his 1989 column in which he attacked legal abortion and his cartoon version of feminism as “possessive individualism.” I don’t suppose I ever really forgave Christopher for that.

It wasn’t just the position itself, it was his lordly condescending assumption that he could sort this whole thing out for the ladies in 1,000 words that probably took him twenty minutes to write. “Anyone who has ever seen a sonogram or has spent even an hour with a textbook on embryology knows” that pro-life women are on to something when they recoil at the idea of the “disposable fetus.” Hmmmm… that must be why most OB-GYNs are pro-choice and why most women who have abortions are mothers. Those doctors just need to spend an hour with a medical textbook; those mothers must never have seen a sonogram. Interestingly, although he promised to address the counterarguments made by the many women who wrote in to the magazine, including those on the staff, he never did. For a man with a reputation for courage, it certainly failed him then. (Years later, when he took up the question of abortion again in Vanity Fair, he said basically the exact same things, using the same straw-women arguments. Time taught him nothing, because he didn’t want to learn.)

excerpted from Katha Pollit's
Regarding Christopher | The Nation

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